I watched today’s 7-second DJI clip three times before the tagline even registered. “Above It All, See It All.” Then the subtitle: “8K Flagship 360° Drone.” Then a date: March 26, 2026, 12 PM GMT. That’s it. DJI just confirmed the DJI Avata 360 with the bluntest teaser the company has ever released.

This is the second official teaser DJI has dropped for the Avata 360. The first came on March 3, when DJI posted a 41-second clip on its @DJIGlobal X account with the caption “An all-new dimension. Discover what’s beyond.” That video showed FPV flight sequences and unmistakable 360° shots without naming the product once. Today’s teaser names everything: product, resolution, and launch date. That’s a different playbook entirely.

DJI teaser frame announcing the Avata 360 as an 8K flagship 360-degree drone.
Photo credit: DJI

DJI’s new teaser strategy reveals a deliberate shift

The Avata 360 is confirmed as an 8K flagship 360° drone launching at a global online event on March 26, 2026 at noon GMT, following a multi-week teaser campaign that names the product and specs well ahead of the announcement date — a departure from DJI’s typical one-week drip approach.

DJI rumors specialist Jasper Ellens called this shift four days ago. In his March 6 article on DroneXL, Jasper reported that DJI was planning multiple teaser videos in the weeks before launch, naming March 12 as the next teaser date. He also flagged something I noticed again watching this morning’s clip: DJI named the product and resolution in the very first name-confirmed teaser. They’ve never done that before. Usually we’d get a blurry silhouette and a countdown.

Jasper put it plainly on X this morning: “Like I told you: DJI is changing tactics. Today we see a teaser with the product #avata360 and 8k already named. They never did that before. Also the launch date is mentioned 16 days early. Usually this was a week.”

He’s right. March 10 to March 26 is exactly 16 days. The old DJI playbook was a one-week drip. This is something different.

Teaser card giving the launch tagline and the 26 March 2026 event time.
Photo credit: DJI

What we already know about the Avata 360

Thanks to Jasper’s reporting, there’s already a solid picture of what’s coming. The Avata 360 will ship with replaceable lenses, a dedicated lens kit priced around €50 with two lenses and tools included. Scratch a lens on a bad landing — something that’s killed more than a few cameras in my years covering this industry — and you swap it yourself for roughly €25 instead of sending the whole drone in for repair.

Battery pricing leaked at roughly €70 for a 38.6Wh cell, which is cheaper than the 31.8Wh battery that shipped with the DJI Avata 2 at €100. More capacity, lower price. The drone pairs with the DJI Goggles N3 and fits into DJI’s existing ecosystem. Weight comes in at close to 400 grams, which means registration and airspace rules apply in most markets. Not a beginner drone. But for content creators who want omnidirectional 8K footage on a platform that connects to their existing DJI gear, the Avata 360 looks like the obvious next purchase.

DroneXL’s Take

DJI naming the product and resolution in the first name-confirmed teaser is a direct response to the leak ecosystem they can’t stop. Jasper had the name, the pricing, and even the next teaser date before DJI said a public word. So instead of fighting the leaks, DJI is joining the cycle. Release the name early, let the conversation build, give creators and media a longer runway to prepare.

It’s smart. And it works in their favor heading into a launch where the competition is the Antigravity A1 — a drone DJI clearly intends to price out of consideration before it gets traction.

Expect the March 12 teaser to show actual footage. That’s when the real comparison conversations start. By March 26, this will have been covered from every angle, and DJI’s launch event will hit an already-primed audience. Mark your calendar.

Editorial Note: AI tools were used to assist with research and archive retrieval for this article. All reporting, analysis, and editorial perspectives are by Haye Kesteloo.