DJI Osmo Pocket 4P Goes Official With Two Cameras, 17 Stops, and a 103GB Body US Buyers Still Cannot Touch

DJI has published the full DJI Osmo Pocket 4P spec sheet, turning a vague Cannes teaser into a real product. The pocket gimbal pairs a new 1-inch wide-angle main camera with a dedicated 60mm telephoto, a combination no prior Pocket has carried. The headline numbers are now concrete: 17 stops of dynamic range on the main sensor, 10-bit D-Log2 color, 4K recording at 240fps, 103GB of built-in storage, and a 230-gram body. DJI lists a Standard Combo starting price of 3,799 yuan (about 525 USD) in China.

That price and that spec sheet do not help American buyers. DJI has been on the FCC Covered List since December 22, 2025, which blocks new DJI hardware from getting the FCC authorization needed for legal US sale. The standard Osmo Pocket 4 shipped in April with no US release for that exact reason. I have tracked every turn of that regulatory fight at DroneXL, and the detailed China launch of the 4P does nothing to reopen the American door.

What changed since the May reveal is the detail. DJI debuted the 4P at the Cannes Film Festival with marketing language and almost no specs. The product page now fills in the gaps, and the gaps are where the interesting decisions live.

Two cameras, two different sensors

The Osmo Pocket 4P runs a true dual-camera module, and the two cameras are not equals. The wide-angle main camera uses a new 1-inch CMOS sensor at a 20mm-equivalent focal length and f/2.0, the same sensor class as the standalone Osmo Pocket 4, whose retail spec sheet DroneXL documented before launch. DJI credits LOFIC technology for pushing that main sensor to 17 stops of dynamic range, a jump from the 14 stops on the standard Pocket 4.

The telephoto is the new part. It is a 60mm-equivalent lens at f/1.8, which DJI markets as a “golden portrait” focal length because 60mm renders faces with less distortion and stronger background separation than a wide lens. The optics deliver 3x optical zoom, 6x lossless zoom through a sensor crop, and up to 12x digital zoom. The catch sits in DJI’s own comparison table: the telephoto rides a smaller 1/1.28-inch sensor rated at 14 stops, not the 17-stop 1-inch sensor behind the wide camera. The two lenses do not produce matched image quality, and DJI is transparent enough to print that.

This also clears up months of leak noise. Pre-launch reporting had pegged the telephoto at 70mm, f/2.8, and a 1/1.5-inch sensor. The shipping spec is 60mm, f/1.8, and 1/1.28-inch, a faster lens on a slightly larger sensor than the rumor mill expected.

DJI built the imaging pipeline for the grade

DJI is selling the 4P on color and dynamic range, and the spec sheet backs the pitch. The 17-stop figure on the main camera lands in territory normally reserved for full-size mirrorless and cinema bodies, and the 10-bit D-Log2 profile gives colorists a flatter, wider starting point than the 10-bit D-Log on the standard Pocket 4.

DJI claims more than one billion colors from the 10-bit depth and positions D-Log2 as the difference between a tool a director of photography tolerates as a B-camera and one they trust for primary work. Video tops out at 4K/240fps for slow motion, carried over from the Pocket 4. Stills reach 37 megapixels. Six built-in film tones and in-camera skin smoothing handle the social-first creators DJI is not willing to abandon, with deeper beauty controls in the DJI Mimo app.

One real limitation survives the upgrade. DJI did not add 6K recording, and there is no native 4K vertical capture, two omissions that matter for creators shooting primarily for phones. For a camera DJI keeps calling cinematic, those are the first questions a working shooter will ask.

The body specs favor people who shoot all day

The supporting hardware reads like a list of answers to Pocket 3 and Pocket 4 complaints. Storage jumps to 103GB built in, enough to skip a memory card for most shoots. DJI rates the battery at 210 minutes and an 18-minute charge to 80 percent. The 4P weighs 230 grams, keeps the 3-axis mechanical gimbal, and adds ActiveTrack 8.0, branded Smart Tracking 8.0 in China, for subject tracking that holds at full zoom.

Connectivity moves to USB 3.1 with wired transfer up to 800MB/s and Wi-Fi 6 up to 90MB/s. DJI added 4K Live Photos, gesture control, a built-in timecode with a claimed error under one frame in eight hours, and a webcam mode for streaming and calls. A two-tone design arrives in black and a finish DJI calls Pearl White. The accessory line includes an ND filter kit, a fill light, a beauty soft-focus mirror, and the Osmo FrameTap viewfinder remote.

The Pocket 4P costs 800 yuan more than the Pocket 4

DJI’s own comparison page lines the three current Pockets up by price. The Osmo Pocket 4P starts at 3,799 yuan for the Standard Combo, the single-camera Osmo Pocket 4 at 2,999 yuan, and the older Osmo Pocket 3 now sells from 2,299 yuan. The 800-yuan gap between the 4P and the standard 4 buys the second camera, the larger dynamic range, D-Log2, and the upgraded tracking.

A second tier sits above the base. Italian outlet Quadricottero reports a Vlog Combo at 4,299 yuan that adds a mini remote with an integrated monitor, a mini tripod, and a DJI Mic wireless transmitter. DJI has not detailed that bundle on its main comparison page, so treat the higher tier as reported rather than confirmed until DJI publishes the full configuration list.

Those are China prices. DJI has not published US or European figures, and given the regulatory wall in the States, a US sticker may never arrive. For reference, the standard Pocket 4 opened at 499 euros for its base combo in markets where it shipped.

The US ban is the spec DJI cannot fix

The most consequential fact about the Osmo Pocket 4P is not on the spec sheet. Under Section 1709 of the FY25 National Defense Authorization Act, a US national security agency had until December 23, 2025 to complete a security review of DJI. No agency completed one. An interagency determination convened by the White House landed on December 21, and the FCC added all foreign-made drones to its Covered List on December 22.

The practical result is that new DJI hardware cannot obtain the FCC authorization required for US sale. DJI has challenged the listing in the US Court of Appeals for the Ninth Circuit, arguing the agency never proved a threat and exceeded its authority. The case is pending. Until it resolves or DJI wins a specific exemption, the Pocket 4P joins the standard Pocket 4, the Osmo Nano, and the Osmo Mobile 8 on the list of recent DJI gear Americans cannot buy through any official channel.

DroneXL’s Take

Back on May 8, before DJI confirmed a single official number, I called the Pocket 4P a handheld DJI Air 3S because the dual-camera module read straight off the Air 3S playbook. The spec sheet now lets me check that against reality. The Air 3S pairs a 24mm-equivalent main camera with a 70mm-equivalent telephoto. The 4P pairs a 20mm-equivalent main with a 60mm-equivalent telephoto on a smaller second sensor. The design logic held. The execution sits a notch below the drone, which fits a device a third of the size.

The detail that decides how this camera gets used is the telephoto’s 1/1.28-inch, 14-stop sensor sitting next to a 17-stop main. That mismatch is the difference between a genuine two-lens cinema tool and a very good wide camera with a useful zoom bolted on. A DP cutting between the two lenses in the same scene will see the gap in a graded timeline. DJI printed the spec honestly, which I respect, but the marketing language of “cinematic excellence” papers over a real seam in the image.

The open question is not about the camera. It is about the Ninth Circuit. DJI’s Covered List appeal is the gate that determines whether any of this reaches American hands, and the Pentagon has cited classified intelligence in opposition to DJI’s petition. Whichever way that ruling lands decides the US fate of the 4P, and no spec sheet, however good, can move that needle. Watch the court, not the comparison table.

Sources: DJI, Quadricottero.

DroneXL uses automated tools to support research and source retrieval. All reporting and editorial perspectives are by Haye Kesteloo.