Stop Color Grading Your DJI Pocket 4P Footage Wrong
Mihail Svilenov shares his exact DJI Osmo Pocket 4P camera settings and DaVinci Resolve color grading workflow for D-Log and D-Log 2 footage.
News, deep dives, and analysis — every Drone Supremacy story, newest first.
Drone Supremacy is a hands-on gear review beat built around extended, real-use testing rather than first-impressions coverage, including creator workflow gear that goes beyond the drone itself.
Long-term testing is the defining format here. The Antigravity A1 was used to preserve a 1,000-year-old Bulgarian fortress in 3D using Gaussian splatting, a real production use case rather than a spec-sheet review, and a separate piece revisits the same drone months in: how the Antigravity A1 holds up after months of flying gives a verdict first-look coverage can’t.
Settings and technique get the same field-tested treatment: specific Insta360 Luna Ultra settings that made footage look more cinematic came out of actual shooting, not a lab test. Creator workflow gear rounds out the beat, including everyday tools like docks and sliders that support a finished shoot rather than the drone alone.
For broader camera drone buying guidance, see the aerial photography hub. Every Drone Supremacy story is in the feed below.
Last updated August 28, 2026 — the feed below updates with every new story.
Mihail Svilenov shares his exact DJI Osmo Pocket 4P camera settings and DaVinci Resolve color grading workflow for D-Log and D-Log 2 footage.
For Project Eternal, Mikhail Svilanov flew the Antigravity A1 360 drone over Ovech Fortress in Bulgaria and turned a single ten-minute flight into an explorable 3D Gaussian Splatting model with Splatica.
Mikhail Svilanov shares the exact Insta360 Luna Ultra settings he uses for more cinematic footage, including why he sticks to 4K, locks ISO at 800 in I-Log, uses ND filters, and switches to Pure Video at night.
Mikhail Svilanov tests the 26-in-1 iVANKY Fusion Dock Ultra and explains why it solved his constant cable-swapping problem between home and studio, despite a couple of small tradeoffs.
Mikhail Svilanov shows how the iFootage Pico Slider helps create repeatable reveal shots, pans, and robotic camera moves with compact gear like the DJI Osmo Pocket 4.
Mikhail Svilanov walks through the Insta360 Luna Ultra’s dual-camera design, zoom options, 8K video modes, low-light performance, and Mic Pro integration in a first look at what the new camera can do.
Mikhail Svilanov revisits the Antigravity A1 after months of use, focusing on firmware improvements, newly added omnidirectional obstacle avoidance, and whether the immersive 360 flight experience now feels more polished.
We flew the Potensic Atom 3 before launch day. First impressions of the sub-249g drone with a 1/1.3-inch sensor, and a remote that outdoes DJI's.
Time. A 'months later' follow-up on the Antigravity A1 covers how the drone holds up after extended flying, not just an unboxing impression, and settings guidance comes from actual field use, such as the specific Insta360 Luna Ultra settings that produced more cinematic footage in practice.
Both. Coverage extends past the aircraft into the workflow gear creators actually use around a shoot, including docks and camera sliders, reviewed with the same hands-on, extended-use approach applied to the drones themselves.
A 3D reconstruction technique that builds a navigable model from a series of photos or video. The Antigravity A1 was used to preserve a 1,000-year-old Bulgarian fortress this way, a real-world production application rather than a technical demo.
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